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In 1973: the ten commandments of Nouvelle Cuisine

Rédaction

"Cooking is when things taste like what they are," exclaimed Curnonsky, thanking the maid Mélanie for the meal she had just given him for his 81st birthday.

The meal included stuffed clams, lobster with cream sauce and partridge chartreuse, all of which must have been very good, but the shellfish, lobster and partridge certainly didn't taste like what they were. The first would have had to be eaten raw, the second would have had to be swum and the third roasted... It's with ambiguities like these, with these paradoxical aphorisms, that pre-war cuisine, and especially its spokesman Maurice Sailland, known as Curnonsky, alias Prince élu des gastronomes, have been able to maintain their reputation right up to the present day. But this cuisine, this style, overloaded with a certainty and stuffed with truisms, is dying. Just as well. All the more so as another cuisine is taking its place, emerging before our very eyes and bursting with health, common sense and good taste. French cuisine is dead (don't you agree, Mr. Times?). Well, long live the new French cuisine!

We're not icono-sclasts, and we defend, even with some bad faith, certain glorious old restaurants whose downfall would be too painful for us. Contestation in itself is negative, childish and jealous. But the blocking of taste and spirit by embellished memories is no less foolish and dangerous.our aim, therefore, is not to throw Curnonsky off his pedestal, but to beg this fat, joking gentleman to come down gently and sit in the ranks, with his comrades Brillat-Savarin, Carême and other fine talkers. Curnonsky was not lacking in certain graces, and if this chosen prince was fed all his life at the expense of the princess, he was said to be generous, indifferent to the solicitations of publicity. He was what we still call a "bon vivant". And it's precisely this image of bon vivants, fat people, napkins tied around their necks, dripping with veal stock, béchamel sauce and vol-au-vent, decorés, knights of vinous, bachique and oeno-philic brotherhoods, drinking singers and soubrette feelers that we'd like to erase from our memories. It's disgusting, and we're not afraid to say that these people didn't know how to eat. How, for example, could real gourmets lend any credence to the recipe books of the twenties, whose advice still holds sway over the post-war generations?

Take Mme Saint-Ange, a paragon of bourgeois virtue, whose "La bonne cuisine" is still considered a good book today. Attentive to describing in detail meat jellies, rouxes and white sauces, she settles in a few lines the fate of court-bouillon, good, she tells us, for any fish of doubtful freshness. How could anyone write such colossal nonsense? It has to be said that the cooking times indicated in this book, as in the others, are such that, fresh or not, the fish was transformed into papier-mâché.

This problem of cooking times will allow us to get to the heart of the matter and draw the lines that separate old and new French cuisine. It's not us, poor cooks, who invent and decree these ten new commandments. We're simply outlining the contours of a cuisine perfected by the new school of French chefs, whose names include Bocuse, Troisgros, Haeberlin, Peyrot, Denis, Guérard, Manière.minot, Chapel, etc. and in other capacities, Girard, Senderens, Oliver, Minchelli, Barrier, Vergé, Dela-veyne, etc. These laws cover a dozen or so essential points that place the new cuisine at the antipodes of the pre-war style, itself derived (but deformed) from the 19th-century style so admirably described and analyzed by Jean-Paul Aron in his "Mangeur du XIXe siècle" (Robert Laffont, ed.).we can well imagine the cries and jeers that will be heard in the old backrooms when these laws are announced. But we have our references and our new gods to defend us.

Short cooking times (Chinese style)

For most fish dishes, all shellfish, dark-fleshed poultry and roast game, veal, certain green vegetables and pasta. Roasted spiny lobster and rack of veal from Denis, green beans from Bocuse, fish from Le Duc, frogs from Haeberlin, duck from Guérard, crayfish from Troisgros, woodcock from Minot, among others, illustrate this.

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